Showing posts with label Guillermo del Toro. Show all posts
Showing posts with label Guillermo del Toro. Show all posts

Wednesday, July 15, 2026

Dance It's Criterion Day


Tis that semi-annual moment where my birthday and Criterion Announcement Day overlap -- I personally feel as if this means that Criterion should send me copies of every single upcoming release I'm about to tell you about, but sadly the world doesn't work that way. Mean world. Just think -- if it did work that way that'd mean I'd be getting a copy of that complete Stanley Kubrick boxed-set that I told you about last month since that's an October release alongside the rest of these! Holy moly would that rock. That set is obviously the month's show-stopper -- the thing every cineaste will be gifted or gifting themselves for this year's holidays -- but the rest of the October line-up ain't too shabby. For two Guillermo Del Toro's Frankenstein is escaping its Netflix confines and getting a gorgeous 4K set as pictured...

... right there. Love that art! Jacob Elordi's Oscar-nominated performance is definitely the movie's highlight but I'm excited to have the entire gorgeous package off that streamer and in my greedy little hands -- the rich scenery and costumes and gore (and Jacob Elordi's little bandage underpants) is all gonna look so gorg in 4K! And since we're talking about October aka Spooky Season that's not the only horror on board the month -- no less than some lil' masterpiece called The Silence of the Lambs is hitting 4K finally! Perhaps you've heard of it? Also there's Jerzy Skolimowski's 1978 psychological thriller The Shout starring John Hurt, Susannah York, and Alan Bates (mmmm Alan Bates)...

... coming at us, a film I've seen a couple of times and liked not loved. I don't know -- I always expect more from it than it's willing to give me so I always forget what happens in it like a week later. Like reading through the plot now I am like, "Oh yeah that happened," but I find that movie weirdly unmemorable. Perhaps you disagree? Alan Bates is always worth staring at either way.

The title I'm most curious about in the October line-up though is Ngozi Onwurah’s "radically ahead-of-its-time dystopian sci-fi film" Welcome II the Terrordome from 1995 -- I have heard of this movie but very little about it and I have definitely never seen it before. But it sounds and looks really striking! Bless Criterion for rescuing something like this and putting it in front of people, then. Have any of you seen that one before?

Speaking more of movies I haven't seen -- there's Ulli Edel's 1981 drug-addict flick  Christiane F. which... I've admitted this before on here but I really don't like watching addiction movies anymore. They're always so miserable and unplesant and wallow-y, you know? I have had my fill of addiction dramas. No more watching needles go into veins in close-up, no more puke dribbling on chins and people groveling for pennies to get their fix -- I just don't need it anymore! Let the youth learn their lessons; I got it. That said the fact that one David Bowie did this movie's soundtrack is whispering my name all the same... maybe I can just go listen to the soundtrack on Apple Music and be fine that way. We'll see. Anyway the final October release is one of Criterion's always-fantastic Eclipse box-sets -- this one is "The First Films of Samuel Fuller" which includes I Shot Jesse James, The Baron of Arizona, and The Steel Helmet, aka two Westerns and one War movie. And even though, like drug movies I generally can do without Westerns, I've actually seen The Baron of Arizona before! It's because it's a Vincent Price movie though, and I try to see all of those. He's Vinnie fuckin' Price after all!


Thursday, March 12, 2026

Alright Here's an Oscar Post


This happens every year I think, even though I block it out -- it gets to be a few days before the Oscars and they're what my movie people are talking about so I "begrudgingly" do a post about them with some of my wishes or whatever. I rightly got called out for being an exhausting hypocrite when it comes to the Oscars the last time I whined about them -- I've tried to explain the attraction / repulsion thing they bring out of me before but really there's not much to it. It's a part of the movies, love it or hate it, so I just want them to do better if they must, so I can not feel attacked while watching the show in order to indulge my fetish for staring at pretty people wearing pretty clothes. Anyway it's probably clear by now who my favorites are -- I shared my own Top 20 List of 2025 back in January, after all -- but I rattled this off-hand on Bluesky earlier so I might as well share this, my ranking of the Best Picture nominees, here on the site itself:

2026 Best Pictures nominees, as ranked by me!

1. ONE BATTLE AFTER ANOTHER
2. MARTY SUPREME
3. THE SECRET AGENT
4. BUGONIA
5. SENTIMENTAL VALUE
6. SINNERS
7. FRANKENSTEIN
8. HAMNET
9. TRAIN DREAMS
10. F1

No big surprises there! And it's a better batch of nominees than it is worse, so that's nice -- really any of those Top 6 winning Best Picture wouldn't rankle me. Because of the way awards conversations twist everything into shit I do have to keep reminding myself that for the most part I really like Sinners -- nowhere near how much I like its main competetion for this award (and I think we'll all be shocked if it's not either Sinners or OBAA that wins), and some of its champions have gotten real fucking annoying in the past few weeks. But it's a fun movie full of terrific performances and one for-the-record-books sequence. I get why people love it so much. So let's just enjoy the movies and all of those pretty people wearing pretty clothes for a few hours this weekend! The barn's burning down around us otherwise, might as well. Gimme your rankings in the comments!


Wednesday, November 26, 2025

Good Morning, Monsters


I'd almost posted these behind-the-scenes photos of Frankenstein star Jacob Elordi with his stunt double (I think his name is Daniel Cudmore) a couple of weeks back, but it didn't feel right to splay the look of the monster all over the place so early -- I don't think the movie had even hit Netlfix when I first saw these. But now it has and I think it'll probably be a popular post-turkey watch this holiday so here, enjoy these too. They're a full meal all on their own! But speaking of the forthcoming holiday feast -- today's our last day on site til Monday, which I assume you'd assumed but one shouldn't make too many asses out of you and me so I figured I'd put it into words to make it crystal. Don't worry -- just slide yourself between these two slices of hearty white bread and make of yourself a sandwich til I'm back. You'll be fine.


Wednesday, November 19, 2025

Today's Fanboy Delusion

Today I'd rather be...

... clapping back at the Frankenstein boys.

Monday, November 10, 2025

Good Morning, Monsters


Hello and happy Monday -- your wayward host has indeed returned and he's brought with him several gifs of a butt-naked Oscar Isaac in Guillermo Del Toro's Frankenstein to smooth the process along -- and while we're at it, what is it with Guillermo and hot dudes barely visible junk floating in bathtubs anyway? It's a very specific thing to have pop up in two (live-action) movies in a row, right? (I added the "live-action" because as far as I recall I don't remember Gepetto getting his gray balls out to take a soak in Pinocchio but it's possible I blocked that out.)

Anyway Frankenstein dropped on Netflix over the weekend so I assume most of you have now seen it if you weren't near one of the theaters where it was shwoing, so please -- offer me your opinions! I liked not loved it -- Jacob Elordi is terrific, it looks great, it sounds great, but there was just something missing... some spark of life, if you'll allow me that indulgence. Maybe if Mia Goth had gotten more to do I'd have been bigger on it? Anyway it's not every movie where Oscar Isaacs gets his pubes out (more like "every other" at this point, blessed man) so hit the jump for the steamy collection of gifs I assembled...

Wednesday, October 29, 2025

Everything You Ever Need To Know About Life...

 ... you can learn from:

Nightmare Alley (2021)

Pete: When a man believes his own lies, starts believing that he has the power, he's got shuteye. Because now he believes it's all true. And people get hurt. Good, God-fearing people. And then you lie. You lie. And when the lies end, there it is. The face of God, staring at you straight. No matter where you turn. No man can outrun God, Stan.

Guillermo Del Toro's Nightmare Alley landed in the Criterion Collection this week on glorious 4K, where this gorgeous and deeply under-appreciated gem belongs -- I hope that people will go back and realize they were incorrect in their negative critical asessments now, mainly to prove that I was right and this movie rules. But for other reasons too! Bradley Cooper gives his best performance to date in the film for one, but it's also (as the above quote suggests) a savvy  dissection of our poisoned modern-day political situation without ever being too on-the-nose about it. It's like Luca Guadagnino's Suspiria in that way. It diagnoses the rot. Anyway we also see Bradley Cooper's dick so what have you got to lose? Go watch it! (Looking forward to an upgrade on the gif below with the 4K edition, you best believe it.)


Wednesday, October 08, 2025

Good Night Oscar


Have you seen the photos of Oscar Isaac taken at the Los Angeles premiere for Guillermo Del Toro's Frankenstein last night? Here are two of them but he looks so handsome in every damn picture I recommend you search around (or just check my Bluesky where I posted more) -- they're worth losing yourself in! Kinda wild how he just keeps getting better looking -- I actually saw him coming out of a screening of Richard Linklater's new movie at NYFF last week and stood two feet from him and it ain't photoshop y'all. The man's a dream. Anyway let these photos hold you tight cuz I sure ain't gonna -- I'm off to see the new Yorgos Lanthimos picture! Yay me! Bye!


Wednesday, August 20, 2025

A Man and His Beautiful Monster


Frankenstein stars Jacob Elordi and Oscar Isaac are on the cover of the new Variety to talk the forthcoming release of Guillermo Del Toro's reowrking of Mary Shelley's vision -- you can read the chat right here. Which I'm going to do myself right after I run and grab my lunch. Hence why I'm not mentioning what the two have to say in the interview -- I'm running out the door and haven't gotten to it yet. But I am taking a quick moment to post the photos of these beautiful men touching each other because -- if this isn't food then what is? I could probably just stare at these photos and survive for months. Hit the jump for them all (plus some video)...

Monday, August 18, 2025

Only Monsters Play God


Netflix just dropped these two teaser posters for Guillermo Del Toro's upcoming film of Frankenstein, which stars Oscar Isaac, Mia Goth, and Jacob Elordi as the Monster. (Love that the poster below centers Oscar's patented Chunky Bum, although it's a little shadowy, Guillermo. You'd best give it the spotlight treatment at some point in your movie!) We also have the official release dates -- Frankenstein is playing in "Select Theaters" on October 17th and then it hits Netflix on November 7th. This being Netflix you might want to side-eye that "select theaters" thing -- it will definitely play the Paris Theater here in NYC since that place is owned by Netflix, but beyond that? Definitely somewhere in L.A. one assumes but who knows how wide they'll go. I think most people will sadly be seeing this on a small screen. Who are the real monsters, then? They're playing God with Movies!


Monday, July 28, 2025

Pics of the Day


Although it's clearly a covered-up tease there's our first semi-look at Jacob Elordi's Frankenstein's Monster for Guillermo Del Toro's upcoming film thanks to a great big piece on the movie at Vanity Fair -- they talk to Oscar Isaac and Del Toro and also the make-up guy a lot...

... for obvious reasons. But I just wanna hear from costume designer Kate Hawley  for paragraphs because she's what's wowing me in these photos. Especially all of the spectacular outfits we see Mia Goth wearing. (I imagine Hawley also probably had fun giving Oscar his undone blouse & snug trousers and whatever tattered rags Jacob Elordi sports.) Anyway hit the jump for the photos...

Tuesday, July 15, 2025

Nightmares & Fire: Criterion's Month of Violence


Every year October always has my favorite releases from the Criterion Collection -- I think it's the meeting of them ramping up for the holidays plus lots of horror because of Halloween? Anyway they've just announced their October 2025 releases and once again -- my god it's the good shit. Kicking it off they've got Ken Russell's hallucinatory 1980 gem Altered States, which is one of my personal faves -- peak William Hurt turning into a neanderthal after dosing himself with too much psychology? What's not to love? It's Russell at his most bonkers... well okay it's hard to quanitfy "most bonkers" when it comes to Russell but this one's up there. Can't wait to take this in in 4K -- it lands on October 21st.

Next up Guillemo Del Toro's tremendous 2021 noir-carny vision Nightmare Alley is finally finally getting a physical media release (it's a Netflix joint so it hasn't before this) -- I know reactions to this were mixed but I loved it, it's one of my favorite of Del Toro's movies, and I am of the mind that Bradley Cooper gives his best performance to date in it. (aAnd given how much I soured on him otherwise over the past couple of years that's saying something.) Then there's the one title this month I'm unfamiliar with -- Mexican director Arturo Ripstein's 1996 melodrama Deep Crimson -- anyone know it?

Then there are the inevitable 4K upgrades of discs they've released before, but man oh man are these a wild duo of masterpieces -- David Lynch's Twin Peaks prequel Fire Walk With Me and  Georges Franju's 1960 horror classic Eyes Without a Face. You can't go wrong with either of those, which besides being perfect are both gorgeous to look at and will no doubt stun in 4K. Oh and then there's a double dose of David Cronenberg joints -- his most recent film The Shrouds (which hasn't gotten nearly enough love if you ask me) and his 2006 neo-noir A History of Violence. The latter has quite the surprising cover -- personally I love it but I feel as if it might be divisive? Thoughts?


Thursday, June 26, 2025

6 Off My Head: A 2025 Peek Ahead


Inspired by the Bugonia teaser I just shared (along with the fact that it's Paul Thomas Anderson's birthday today which reminded me he has a new movie out in several weeks) I decided to go ahead and make a list of the movies left to be released in 2025 that I'm most looking forward to. I did this (as with everything I do here) mostly for myself because I've been bad about keeping an eye on what's ahead -- I can be very much in the moment; planning ahead's not my strongest suit! So I will myself probably be referring back to this list often. But perhaps this will help you along the same lines! That'd be nice! So sans further ado I give you...

My Top 6 Anticipated Movies of 2025

Bugonia (dir. Yorgos Lanthimos) -- Oct 24th 

One Battle After Another (dir. PT Anderson) -- Sept 26th

The History of Sound (dir. Oliver Hermanus) -- Sept 12th 

After the Hunt (dir. Luca Guadagnino) -- Oct 10th 

Sentimental Value (dir. Joachim Trier) -- Nov 7th

Pillion (dir. Harry Lighton) -- TBD

------------------------------

(Sidenote: There is no word on Gregg Araki's I Want Your Sex and any kind of release date for it yet, otherwise it would very much be listed above.) 

(Sidenote #2 - literally five minutes after I posted this list it was announced that Neon has bought Park Chan-wook's new movie No Other Choice for release and it's premiering at Venice so add that one too!)

Runners-up: Wake Up Dead Man: A Knives Out Mystery (dir. Rian Johnson), Marty Supreme (dir. Josh Safdie), Hamnet (dir. Chloé Zhao), A Big Bold Beautiful Journey (dir. Kogonada), It Was Just an Accident (dir. Jafar Panahi), The Roses (dir. Jay Roach), Avatar: Fire & Ash (dir. James Cameron), Together (dir. Michael Shanks)...

... Weapons (dir. Zach Cregger),  Jay Kelly (dir. Noah Baumbach), Caught Stealing (dir. Darren Aronofsky), Frankenstein (dir. Guillermo Del Toro), The Mastermind (dir. Kelly Reichardt), Highest 2 Lowest (dir. Spike Lee), A House of Dynamite (dir. Kathryn Bigelow), Die My Love (dir. Lynne Ramsay), The Running Man (dir. Edgar Wright)

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What movies are y'all most looking forward to?

Monday, April 28, 2025

Pic of the Day


A new photo from Guillermo Del Toro's Frankenstein (via) dropped today that showcases Oscar Isaac as the not-so-good doctor -- specifically his suspenders, heaving cleavage, and muttonchops, all of which I look forward to muchly. The movie, which also stars Jacob Elordi (as the monster!) and Mia Goth is out in November, presumably Thanksgiving just because this very much feels like a Thanksgiving release. Possibly critically important but definitely pulpy enough for the whole fam! But I hope Del Toro pervs it out the way any Frankenstein should be perved out, we know he's capable of it (hello to his fish-fucking Best Picture winner). But reading how GDT is making this story about Fatherhood (and how he just lost his father) instead of it being about a man sneaking down to the basement every night to build himself his very own man (one that looks like Jacob Elordi no less) while ignoring his fiancee upstairs, well I worry the Whale-esque (and Rocky Horror) perviness might get waylaid. Do by this queer monster story right, Guillermo!



Tuesday, November 26, 2024

Everything You Ever Need To Know About Life...

... you can learn from:


Giles: Oh! God, to be young and beautiful.
If I could go back to when I was 18 - I didn't know anything
about anything - I'd give myself a bit of advice.
Elisa: [in sign language] What would you say?
Giles: I would say: Take better care of your teeth
and fuck, a lot more. Oh no, no, that's very good advice.

Guillermo Del Toro's Best-Picture-winning The Shape of Water is out on Criterion 4K today! I love this movie and will hear no ill words about it -- I think it winning Best Picture was weird but it was 2017. We were all going a little mad. (So maybe we'll have more bonkers atypical Oscar winners ahead! I suppose that can be one bright spot, sigh.) Anyway it's a lovely little movie and Sally Hawkins gives a lovely little performance and when it comes down to it I think we all could stand to fuck more fish. So that's my advice. Fuck more fish. 

Monday, November 18, 2024

Punch-Drunk Druggies Cross Delancey


Criterion Announcement Day sneaked up on us again -- and it was technically three days ago! They're late even and I didn't notice. Gosh it's almost like there are distracting things happening in the world? Well let's not focus on those, and instead focus on the movies that Criterion is releasing onto 4K blu-ray this upcoming February of the year 2025... yeah we're especially going to need some distractions right then I wager. Argh. Anyway! Criterion! First up is Gus Van Sant's 1989 druggie drama Drugstore Cowboy starring a very pretty Matt Dillon alongside Kelly Lynch, Heather Graham, and James Le Gros. Oh and William S. Burroughs! He's in this too. I haven't seen this movie in a very very long time (like at least twenty years) so it's definitely due a revisit -- I have a feeling I'll have grown to appreciate it more because I was never that much of a fan but it feels like a movie I'll get more now than I did when I was younger. 

Next up we have a pair of movies I've never seen -- Jean-Luc Godard's King Lear from 1987 starring Peter Sellers and Molly Ringwald (wtf) and Joan Macklin Silver's 1988 romance Crossing Delancey with  Amy Irving torn between two fellas in late-80s Manhattan. The Godard sounds bonkers; the JMS sounds sweet and perfect for a Saturday afternoon, and I am excited to watch them both. 

Then we've got three more movies (big month, February) which I have seen before -- there's Nicolas Roeg's brilliant 1970 film Performance with  James Fox and Mick Jagger, there's Guillermo Del Toro's first film Cronos getting a 4K upgrade, and there's Paul Thomas Anderson's Punch-Drunk Love also doing the same. Love all three of those -- PDL was my favorite PTA movie for a long time but I can safely say that Phantom Thread has replaced it now. But I also haven't re-watched it in several years since every time I do think about it I think about how it shreds my nerves and I move on to another movie since whose nerves have needed extra shredding lately? Certainly not mine! 


Friday, November 01, 2024

Heads Up, Happy People


Heads-up, happy people! The vast library of our beloved Criterion Collection is on sale on Amazon right now at 50% off! This will presumably be for the entire month of November as they do this to compete with the same sale at Barnes & Noble that typically starts a little later in the month. That means it also includes pre-orders for movies out before the end of November, which includes Guillermo Del Toro's The Shape of Water, the original Godzilla in 4K, and Paper Moon in 4K! And of course it includes last month's barnstormer of an excellent drop with Todd Solondz' Happiness, a Val Lewton horror double-feature, All of Us Strangers, and that to-die-for Gregg Araki trilogy! And then there's the issue of that massive 40-film 40th anniversary box-set that Criterion is releasing on November 17th -- that's not priced at the full 50% off right now but it is priced at $400, so $10 a movie, which seems like a damn good deal already. Anyway point being click on those links and treat  yourselves to some movies, it will distract you from... [gestures wildly]


Thursday, August 15, 2024

Criterion's Great Big November Stomps Ahead


November is typically a pretty epic month for Criterion releases because they're no doubt hoping for cinematic stocking stuffers to be all the rage over the approaching holidays (it's also the month when Barnes & Noble has another 50% off sale typically for that exact same reason) and sure enough they've announced a great big slate today. Starting with the king of the monsters itself, Godzilla! Ishiro Honda's original 1954 kaiju masterpiece Gojira that is -- they're dropping it in a brand new 4K restoration! I suppose to depends on your mood and what you want from a movie about a giant monster stomping on tiny people -- sometimes you want that to be goofy and have little ones blowing bubbles while the big guys do Pro Wrestling movies, and I judge no one for wanting such a thing. But the 1954 film is seriously excellent, a proper horror film explicitly wrestling with Japan's post-WWII experience, and remains the greatest film in the series til this day. Although Godzilla Minus One did give it a run for its money last year!

That's not the only horror movie getting the Criterion treatment in November -- Guillermo Del Toro's Oscar-winning The Shape of Water is hitting the collection too! Whether TSOW is really horror or more of a romance I'll leave to people who care about such distinctions to tussle over -- what I do know is that winning Best Picture did a number on this lovely movie's reputation, and I hope we can re-embrace it now, with the benefit of time, because I think it's super. And this is also a new 4K release -- I cannot wait to luxuriate in Del Toro's details. 

Criterion is really ramping up the 4K upgrades now that they've started with them -- the 1932 version of Scarface from director Howard Hawks and Akira Kurosawa's masterpiece Seven Samurai are both being upgraded in November, as is William Wyler's Funny Girl starring that Streisand woman. And then there is Peter Bogdanovich's phenomonal 1973 comedy Paper Moon -- I have never been Bogdanovich's biggest fan but most of his earliest movies (this, The Last Picture Show, and Targets) I do fully endorse. Madeline Kahn in Paper Moon alone is worth the purchase price. 

Six titles is more than Criterion usually drops in a month, but those are of course not all -- as was announced last week they're also celebrating their 40th anniversary with an asbolutely monumental box-set of 40 (!!!) films called CC40 which consists of the films most chosen by people who've visited the legendary Criterion Closet. I'm not even going to begin listing off the titles because there are 40 of them and I'd want to list every goddamned one. They are all classics, they are all worth seeing. The set ain't cheap -- it's 650 bucks -- but that works out to less than $17 for each movie, so if you've been wanting to start a Criterion collection of your own then this is a one-stop shop means to do so! Absolutely epic shit!