Showing posts with label Alexander Payne. Show all posts
Showing posts with label Alexander Payne. Show all posts

Monday, December 13, 2021

Everything You Ever Need To Know About Life...

... you can learn from:

Citizen Ruth (1996)

Ruth: I'm gonna stay here. and I'm gonna have
that abortion like I wanted. Cuz I'm a citizen
and... and I got my rights to, um, PICK!
Alexander Payne's funniest film -- I said what I said, Election! -- was released 25 years ago today. Everything I see online says the movie got a "limited release" but I could have sworn this movie aired on TV -- on like HBO maybe? Am I mistaken? Is this a fake memory like that Sinbad Genie movie? Anyway it's a perfect comedy with one of Laura Dern's greatest performances -- no small feat, claiming that title when there are so many choices! And it's also terrifyingly more timely than ever here 25 years on with all of the ridiculous hysteria surrounding abortion even more obnoxious than ever. I recommend seeking it out! You can find the DVD or rent it on Amazon but it's kind of gross that nobody's put this out on blu-ray, right? I mean hello, Criterion? U up?



Monday, February 10, 2020

Everything You Ever Need To Know About Life...

... you can learn from:

Citizen Ruth (1996)

Ruth: I'm gonna stay here. and I'm gonna have
that abortion like I wanted. Cuz I'm a citizen
and... and I got my rights to, um, PICK!

As she mentioned as she clutched her Academy Award for Best Supporting Actress just last night it is indeed the great Laura Dern's birthday today, and we gotta celebrate. Not with Marriage Story -- although I'll probably be defending her win for that movie for the rest of my life, since I think she's killer in it and it's not just a career win -- but with Alexander Payne's immortal abortion epic Citizen Ruth, which I just re-watched a week or so ago and which holds the hell up, lemme tell ya.

Citizen Ruth still feels risky in 2020 -- hell it maybe feels even riskier now? We've certainly moved backwards when it comes to women's rights. And this film sticks a dagger in the heart of it all, popping off truly dark one-liners with absolute glee. It's a marvel, and Dern is a marvel in it. Ruth Stoops is obviously awful, but Dern shades her a lot more than I'd recalled, making her feel human even as she wonders if she's maybe slept on some babies in some dumpsters.
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And obviously when it comes to Dern we've only fondled the tippy tip of the iceberg here -- she's been one of my favorite actresses since she made her cry face in David Lynch's Blue Velvet... hell even earlier than that I remember my English Teacher making us watch Smooth Talk after we read Joyce Carol Oates' story "Where Are You Going, Where Have You Been?" in Junior High. She's always been there, and she's always been great, and I love that this entire awards season turned into a celebration of the Dern. 

Friday, December 20, 2019

Bury Me in Olivia Colman's Backyard

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This post's title sounds dirty when I say it? Anyway Olivia Colman, who seems to be having a hell of a good time these days -- see above photo of her with her arm around Nicholas Hoult in a tuxedo -- and deservedly so, has got a new gig! She's going to star in an HBO series -- all Variety says is "series" they don't say "limited" or not -- called Landscapers that's being developed by no less than Citizen Ruth and Election filmmaker Alexander Payne. (Note how I ignored everything Payne has done since Election... I'm trying to be positive right now.) Landscapers will tell the true story of a "mild mannered couple" of married Brits who murder her parents and bury them in their backyard. The husband hasn't been cast yet. If I was shepherding this project -- and clearly I am not -- this sounds like a killer Ben Wheatley project to me, a la the wonderful Sightseers, but we'll see what Payne manages. Anyway Olivia playing a psycho has long been a dream of  mine, and if a Bond Villain or the below can't happen we'll take this for sure.
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Friday, September 13, 2019

Maybe He'll Eat Somebody Along the Way

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I used to be much more excited by the name Alexander Payne than I am these days -- it's been twenty full years since he made a movie (Election) that I love unreservedly (that said I do like Nebraska). Mostly the incisive snark of his early career, the stuff that I fell for circa Citizen Ruth, has morphed into maudlin smarm with time -- I mean The Descendants is entirely my kryptonite. But he keeps getting great actors to work for him and pulling me back, and so it goes with his newly announced project, which will apparently star no less than Hannibal Lecter himself Mr. Mads Mikkelsen.

It's to be a road movie called My Saga that's based on the true story of a Norwegian journalist who traced the Vikings trek across the Northern United States for an article -- it sounds like they've already started smarming the story up as the script for Payne's version has the writer road-tripping with his teenaged daughter, and not the photographer that was actually his traveling partner in real life. I can see the quote unquote big feels coming already, sigh. But I'll be there for Mads, dammit.


Friday, March 29, 2019

There's Something About 1999

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We just mentioned how The Matrix is turning 20 this weekend, which got us to look on back -- what I believe to be the very first big project that MNPP ever tackled, way back in 2006, was a look back at seven years previous: an appreciation of the films of 1999. Now I link to that but I warn you it's pretty basic -- I was just getting my footing with this whole blogging thing then. Still I'd say that was some special foresight on my part, given how we're all going nuts here in 2019 wishing the astonishing run of films from 1999...

... a happy 20th anniversary week after week. Fight Club! Go! Election! Magnolia! The Blair Witch Project! Being John Malkovich! The Sixth Sense! It's endless and astonishing stuff. We were really afraid Y2K was gonna be it -- we were getting out all the good stuff while we could!

So anyway back in 2006 I polled y'all to choose your favorite film of the year (from nine choices I designated) and y'all picked Spike Jonze's film Being John Malkovich as your fave with a hefty 22% of the vote. And hey, that was a good pick! It still looks good here in 2019. I have always had smart readers, awwww. But let's see if we feel differently in 2019. Here's the same nine films -- now vote!

Somewhat surprisingly I haven't had to personally re-pick my favorite films of 1999 yet for our "Siri Says" series, and my favorites now would look somewhat different than it did in 2006, but we'll save that for when Siri tells me to do that. (I live to serve.) But y'all please take to the comments and tell me which 1999 films I'm a fool for forgetting for now!


Tuesday, November 06, 2018

5 Off My Head: Vote Yourself Raw

Happy Voting Day, everybody! I don't know about you but I personally am going to have a hard time focusing on anything else today - not even Brad Davis' hairy chest is rescuing me from doomsday thinking. So let's just lean into it and talk about out favorite Political Movies for a second. I'd say that tomorrow that the following list might be totally different but to be honest I could make a totally different list even just thirty seconds from now... hell I could make a totally different list no seconds from now. But let's give this a shot, and list...

5 of My Favorite Political Films

Citizen Ruth (1996)
"You wanna send a message?
I ain't no fucking telegram, bitch!"

"Lighthouses, John.
Lighthouses in a foggy world."

Night Moves (2013)
"People are gonna start thinking. They have to."

Being There (1979)
"Yes, sir, all you've gotta be is white in America,
to get whatever you want. Gobbledy-gook!"
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DicDick (1999)
"Every lie is another brick in the pathway to hell."

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So what are 5 of your faves?
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Thursday, December 21, 2017

10 Off My Head: The Remnants of 2017

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I don't know if you guys have noticed, but the year's almost over! Not that I'm convinced 2018 is going to be any better, at least as far as The Real World is concerned, but I say good riddance to the garbage fire of 2017 all the same. Anyway as far as Entertainment goes I'm doing better than I normally am by this point in having seen the things I want to see - you're not going to be getting any Top 10 lists any time soon from me, let's not go crazy, but as I sort through what I have seen there isn't enough to smother me with anxiety like I normally feel come the holidays. That's a nice feeling for a change!

Most of what I've missed so far are the usual things I miss on first runs - foreign films, documentaries. (You can see a list of everything that I have seen down in the right-hand column, by the way.) But I figured I'd take stock of what I still need to see by making a list for myself, and I'm gonna share it with you! Oh what fun! And then at the end y'all can tell me what you need to see in the comments...

10 Movies of 2017 That I Still Have To See

THE POST (dir. Steven Spielberg) -- This is the big one, obviously. I'm not convinced it will shake up my favorites of the year or anything, but I'm looking forward to it. I very much like this talky old-fashioned adult-drama period of Spielberg's career - if it's anything like Bridge of Spies, which I expected to dislike and ended up adoring, we'll be just fine. Anyway this won't be on this list for much longer since it's out in theaters tomorrow and I might just go first thing in the morning!

THE DEATH OF LOUIS XIV (dir. Albert Serra) -- This came and went in March I guess? All I know is I was made ecstatic by its gorgeous trailer but then it was gone before I even realized it. Very much want to catch up with this.

DAWSON CITY: FROZEN TIME (dir. Bill Morrison) -- People I trust have been bowled over by this documentary that from what I gather sorts through the history a bunch of long-thought-lost Silent Film footage about a small mining town in the Arctic.

EX LIBRIS: NEW YORK CITY LIBRARY (dir. Frederick Wiseman) -- Uhh it's a documentary about a library. So duh. I already have my review's title written: "There Will Be Bookshelves." I'm seeing this next week thanks to MoMA's "The Contenders" series.
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AFTER THE STORM (dir. Hirokazu Kore-eda) -- I don't know anything about this movie except it stars Hiroshi Abe and I've seen it pop up here and there among people's faves and I have literally had a review copy of the blu-ray sitting beside my bed for about four months. I made a promise to myself I will finally stick it in the blu-ray player over the holidays. Let's see if I stick to that!

FILM STARS DON'T DIE IN LIVERPOOL (dir. Paul McGuigan) -- Annette Bening gave the best female performance on screen last year in 20th Century Women, so there's that. She's on my good side. And then there's Jamie Bell who is always great (and I have been told by people who have seen the film that Jamie's in his underwear in it). I think it's a little weird how the trailer obscures the fact  (like actively covers up) that Gloria Grahame started dating Peter Turner when he was under-age.

YOUR NAME (dir. Makoto Shinkai) -- Japanese animated movie that I keep seeing on Year End Lists and thinking somebody accidentally deleted the "CALL ME BY" part of the title. This is also playing at MoMA soon.

FELICITE (dir. Alain Gomis) -- Another one I don't know much about save I have heard enough people who know things say this thing's worth knowing.

GRADUATION (dir. Cristian Mungiu) -- This played at the New York Film Festival way back in 2016 and I missed it then, only to hear a bunch of people rave about it, and now here fourteen months later I'm hearing about it again since it was technically a 2017 release.
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DOWNSIZING (dir. Alexander Payne) -- Given how much foot Matt Damon's crammed in his mouth over the past few months and given the fact that I have come to actively dislike Alexander Payne's movies (after loving him so much at the start of his career) I'm kind of dreading this one. The trailers are obnoxious. But whispers of it being much weirder than it's letting on are giving me a little hope. This also opens this weekend, so thank goodness for MoviePass.

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So what movies are y'all trying to catch up on?
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Monday, November 07, 2016

Looks Like You Could Use A Cupcake

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Within 36 hours we'll know who our President will be, and we should all wish her well by going and voting on today's edition of "Beauty vs Beast" over at The Film Experience, which is looking - where else? - back at Alexander Payne's 1999 prescient political classic Election. #ImWithFlick


Tuesday, July 26, 2016

10 Off My Head: Siri Says 1996

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As I picked up my phone this morning with the intention of finding out what today's "Year of the Post" would be I whispered to myself first... well it more more like a prayer, really... "Please be in the 90s." We've done the 1930s, we've done the 50s and the 70s twice, and we've done the 80s, but I really wanted to do a year I experienced while cognizant. Well I guess that Siri heard me (side-note: I'm terrified Siri is always listening, even when you don't hold down the button; aren't you?) because I asked her to pick a number between 1 and 100 and she gave me 96.

Well ye olde adage that we should be careful what we wish for held true because good grief, I could've made a Top 20 without breaking a sweat. As I looked through the films of 1996 my notes grew longer and longer and the Post-It notes piled high. It's not even that 1996 was an especially groundbreaking year for cinema (although some really important voices, as you'll see, were being born) - it's more like I saw everything, absolutely everything, at this point. When I had to do 1930 for this series I'd seen so few 1930 films it was more of a stretch to make it to 5; this time around it was the exact opposite.

So I'm doing a Top Ten this time. Even that, as you'll see by the breadth of runners-up, was a difficulty. (That said, the first five listed below would have been my Top Five if I'd forced myself to that number, though.) But nobody ever complained about spreading too much love around, right? So let's get our love on.

My 10 Favorite Movies of 1996

(dir. The Coens)
-- released on April 5th 1996 --

(dir. Alexander Payne)
-- released on December 13th 1996 --

(dir. Baz Lurhmann)
-- released on November 1st 1996 --

(dir. Wes Craven)
-- released on December 20 1996 --

(dir. Todd Solondz)
-- released on March 22nd 1996 --

(dir. The Wachowskis)
-- released on October 4th 1996 --

(dir. Hettie Macdonald)
-- released on October 9th 1996 --

(dir. Lars von Trier)
-- released on November 13th 1996 --

(dir. Davis Cronenberg)
-- released on October 4th 1996 --

(dir. Danny Boyle)
-- released on August 9th 1996 --

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RUNNERS-UP: The People vs Larry Flint (dir. Milos Forman), The Portrait of a Lady (dir. Jane Campion), Hamlet (dir. Kennth Branagh), The Frighteners (dir. Peter Jackson), Lone Star (dir. John Sayles), The English Patient (dir. Anthony Minghella), Mars Attacks (dir. Tim Burton), Hard Eight (dir. Paul Thomas Anderson), Secrets & Lies (dir. Mike Leigh)...
... From Dusk Til Dawn (dir. Robert Rodriguez, Flirting With Disaster (dir. David O. Russell), The Crucible (dir. Nicholas Hytner), Mother (dir. Albert Brooks), Schizopolis (dir. Steven Soderbergh), James and the Giant Peach (dir. Henry Selick) 
NEVER SEEN: Pusher (dir. Nicolas Winding Refn), 
Irma Vep (dir. Olivier Assayas), Paradise Lost (dir. Joe Berlinger)

What are your favorite movies of 1996?
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Wednesday, February 10, 2016

I Am Link

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--- Life & Death & Beauty - Last night while I was actively trying not to pay attention to the foregone conclusions in politics and take a break from sweating in front of MSNBC I watched an old movie I love and did some web-surfing and over the course of the evening it seemed like a thousand incredible movie stories broke; my head was spinning! So let's get to them -- foremost some new additions to the cast of Xavier Dolan's English-language debut film The Life and Death of John F. Donovan have come and they are stellar. Natalie Portman and NICHOLAS HOULT, y'all. (I'm ignoring Thandie Newton because I don't like Thandie Newton.) I cannot wait to see Xavy train his gay eye on Nicky. And I trust he's writing the sex scene between him and Kit Harington and/or Taylor Kitsch, who're also in the film, as I type this...
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--- No Mann's Land - Last week on director Michael Mann's birthday I wished him a happy day out of one side of my mouth while slamming his movies as too "slick and masculine" out of the other, but I should've just shut my mouth and linked to this piece at The New Yorker instead, which does a much better and more thorough job dissecting why his films feel so empty, at least to Richard Brody and me. (thanks Mac)
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--- Say Yes To Yorgos - The story follows a young man that needs to take revenge, a doctor that has to make a decision, and his family that must survive. It is a psychological thriller with supernatural elements- I could've sworn I'd heard this news before but I think maybe I am mashing up old things - Dogtooth and The Lobster director Yorgos Lanthimos, (aka one of the most important voices in cinema today, full stop) is lining up another movie. It's called The Killing of a Sacred Deer and with a title like that I can already see the Criterion blu-ray sitting on my book-shelf. Anyway here's what Deadline says about it plot-wise:

"The story follows a young man that needs to take revenge, a doctor that has to make a decision, and his family that must survive. It is a psychological thriller with supernatural elements."
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Given what we've seen from the director in the past we can only assume that nothing is as straight-forward as that description sounds. In the meantime Lanthimos is also working on that 18th Queen Anne film with The Lobster's divine Olivia Colman and Rachel Weisz returning. Speaking of The Lobster I keep forgetting it hasn't even played here in the US yet (here's my glowing and I mean glowing review from last year's NYFF) -- they released a trailer the other day; it will be out on march 11th.
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---  Pansexual Nobody - Ryan Reynolds has been selling the shit out of Deadpool, which opens in a couple days, telling us about how naked he got for the big fight scene at the end the other day, but now he's gone and ruined it all by letting us know that no, the much ballyhooed "pansexual" antihero does not go the slightest bit gay in the movie. But Ryan is totally open to such a thing happening in the future, he says. Bah humbug, dude. I had good money on your mounting Colossus right there in the middle of that highway, man.
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--- Struggle Forward - Once upon a time Alexander Payne made Citizen Ruth and Election, and he was golden. And then came a steady string of worsening bull-crap, and he was not golden. His last film Nebraska had some good stuff in it (it was certainly better than his previous three) but was hampered by his worst instincts as well. While we wait to see which way Downsizing, his "social satire about shrinkage" with Matt Damon, blows, he's announced what he's working on after that -- an adaptation of "Karl Ove Knausgaard‘s sensation-causing My Struggle" as The Film Stage puts it, which is a series of books about the Norwegian author taking a road-trip across North America and following the supposed Vikings trail. Anybody read them?
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--- Light's Out - The Playlist thinks that the just announced release date of September 2nd for Derek Cianfrance's upcoming film The Light Between Oceans, starring Michael Fassbender, Alicia Vikander, and Rachel Weisz, means the studio has no faith in the movie - Labor Day weekend is usually kind of a dead-zone. My first thought was "Hooray, one fewer movie crowded into November/ December" though. I do kinda wish it was waiting a couple weeks to play at the NY Film Festival though so Fassy could be there to then marry me..

--- Greasy Hobbitses - Forbes has a nice little interview with Elijah Wood and his two partners in SpectreVision, the horror-leaning production house they run that's put out stuff like A Girl Walks Home Alone At Night and Cooties, talking about their love of the genre -- they want to get a horror movie in the Best Picture race! (Hey I love the genre too but yeah, good luck with that one, guys.) They also talk about their Sundance anti-sensation The Greasy Strangler, which grossed everyone who saw it right the fuck out.
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--- Love Waters Style - There's a lovely interview with John Waters over at Jezebel where he talks about trigger warnings (haha baiting the shit out of that site's commenters -- here's my message to them) and then he talks about romance just in time for Valentine's Day -- my favorite bit was when they asked him what his "ideal bad date" would be

"Well, I don’t have an ideal bad date, I only have ideal good dates. My ideal good date is to go out to dinner with somebody that you love and have sex afterwards and laugh! All you have to do is have sex and laugh, just not at the same time. I want to make sure you understand that because anyone who laughs while having sex is schizophrenic. Laugh after sex and not at your sex. Have good sex, laugh and go to sleep together. That’s a good Valentine’s Day. "
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