Monday, November 30, 2020
Until the Robins Come
Everything You Ever Need To Know About Life...
... you can learn from:
Misery (1990)
Annie: Paul, do you know about the early days at the Kimberly diamond mines? Do you know what they did to the Native workers who stole diamonds? Don't worry, they didn't kill them. That would be like junking your Mercedes just because it had a broken spring. No, if they caught them, they had to make sure they could go on working, but they also had to make sure they could never run away. The operation was called hobbling.
There is your brain before the "hobbling" scene in Misery and there is your brain after the "hobbling" scene in Misery and your brain after will never forget what "hobbling" means, that's for certain, making this one of the most enduring entries of our "Life Lessons" series. Thirty years enduring as of exactly today! Misery was released on November 30th 1990, and immediately become one of the best Stephen King adaptations of them all, if you ask me. Top 5 for sure. And Kathy Bates gets all the (deserved) love, what with that Oscar and all, but can we give it up for James Caan's performance as well? Dude gave us an astonishing symphony of sweatiness in this thing.
Miguel Ángel Silvestre Twenty-Four Times
Good Morning, World
Monday, November 23, 2020
Thankful For Jake, and Vacation
Darker Phoenix
Even better we even have some details on the film, which we haven't had so far. It's apparently titled Beau is Afraid and it will be a "surrealist horror" (I mean... that's not exactly a shock, given Aster's stellar track-record), and then this:
"[The film] will reportedly center around an extremely anxious man named Beau who has a fraught relationship with his overbearing mother due to the absence of a father he never met. Beau then learns of the death of his mother under mysterious circumstances and upon traveling home makes an alarming discovery about his past. During his journey, he runs into various crazy supernatural threats."
The King McQueen
I lied -- he wears two wigs all at once https://t.co/VJrcznCL3e pic.twitter.com/9oWfMREoKT
— Jason Adams (@JAMNPP) November 23, 2020
Man of the Holy Mountain
The Gyllen-Fincher Feud Strikes Again!
"Jake was in the unenviable position of being very young and having a lot of people vie for his attention, while working for someone who does not allow you to take a day off. I believe you have to have everything out of your peripheral vision….I don’t think he’d ever been asked to concentrate on minutiae, and I think he was very distracted. He had a lot of people whispering that Jarhead was going to be this massive movie and put him in this other league, and every weekend he was being pulled to go to the Santa Barbara film festival and the Palm Springs film festival and the fucking Catalina film festival. And when he’d show up for work, he was very scattered.I don’t want to make excuses for my behavior. There are definitely times when I can be confrontational if I see someone slacking. People go through rough patches all the time. I do. So I try to be compassionate about it. But. It’s: Four. Hundred. Thousand. Dollars. A day. And we might not get a chance to come back and do it again”
That all seems perfectly reasonable to me. And the end product is so good -- one of Jake's very best performances to date -- that I honestly could give a shit. I mean it was right around that time, post-Zodiac, that Jake started making decisions like, "Hey I'm gonna make a Prince of Persia movie!" so his getting maybe not the best advice and attention from those around him doesn't seem like a totally insane suggestion.
Quote of the Day
“I distinctly remember going to see Call Me By Your Name... Timothée Chalamet just smashed it in that movie. He blew my mind, if I’m honest with you. I was so moved by it, it sort of shocked me. He is on another level and it just made me realise what a young actor, roughly the same age as me, could be capable of, the level I had to get up to. I had hardly even worked at all at that point, but I very clearly remember leaving the cinema absolutely terrified by Chalamet’s performance, because I saw how high he’d raised the bar. That was an important moment for me."
There I am just sitting here innocently reading Paul Mescal's profile in the new issue of British GQ -- and not so innocently looking at the photos of Paul Mescal in the new issue of British GQ -- when I should stumble face-first upon this quote, wherein he extols the thesp virtues of one Timmy Chalamet, Boy Wonder, in Call Me By Your Name. As if those shorts-shorts he prefers sauntering around in public weren't enough of a love letter aimed at me already! But you go on that extra mile, Paul Mescal -- you go on.
Kingsley Ben-Adir Four Times
Heaven Sent
Pic of the Day
A massive, like gargantuan, shout-out to MNPP reader and classy, classy person Cameron, who reached out last week about gifting your MNPP overlord with something I've been wanting and needing and clamoring for for sixteen full years -- a copy of the "Wax Lion" from the pilot episode of Bryan Fuller's one-season wonder known as Wonderfalls. A limited run of these were made, I don't even recall the circumstances of their making anymore, but I do remember that I never got one and there's been a dented-lion shaped hole in my heart ever since. No more! I am complete!
Good Morning, World
Thursday, November 19, 2020
Riz Ahmed Eight Times
PS Riz is really, really good in this. Like, acting-wise. It's not just his pretty, pretty, pretty face and sculpted........ everything.........
— Jason Adams (@JAMNPP) October 11, 2020
... I did say that when I saw the movie a couple of weeks ago, and I still mean it. Really very good, he is. Aaaaaanyway tomorrow here at MNPP is gonna be a scattered day -- I'm not coming in to the office proper, but I do have a couple of pieces I'm working on so I will probably pop in here to share those. Don't expect tons! Not that you ever should! Hit the jump for the Riz...
Night Boat To Fassbender
"In the dark waiting room of the ferry terminal in the sketchy Spanish port of Algeciras, two aging Irishmen -- Maurice Hearne and Charlie Redmond, longtime partners in the lucrative and dangerous enterprise of smuggling drugs -- sit at night, none too patiently. It is October 23, 2018, and they are expecting Maurice's estranged daughter, Dilly, to either arrive on a boat coming from Tangier or depart on one heading there. This nocturnal vigil will initiate an extraordinary journey back in time to excavate their shared history of violence, romance, mutual betrayals and serial exiles, rendered with the dark humor and the hardboiled Hibernian lyricism that have made Kevin Barry one of the most striking and admired fiction writers at work today."