Have any of you guys seen Ghostwatch? (I know you have Glenn, you're the one who told me about it.) It aired on the BBC on Halloween 1992 as a pretend news special about ghost hunters a la Beatrice Straight in Poltergiest or Leigh Whannell in Insidious - there was a big uproar at the time because a large portion of the audience took the movie as truth and subsequently freaked right the fuck out once things went horrifyingly paranormal.
I guess it's a legendary hoax of sorts for the British public, especially people my age who were in their teens when it aired and more likely to get sucked into it, but I'll be damned if I remember hearing anything about it on this side of ye olde pond. It was bizarre watching it last night seeing how much the future found-footage genre of films would come to echo it (I say echo to be nice and assume they weren't outright stealing) - things like the Paranormal Activity series especially, with their little girls night-time horrors captured on grainy footage schtick. But also Blair Witch and Lake Mungo and all the rest.
My point is, Ghostwatch scared the shit out of me, and you should try to see it. (You can find it online if you look around; it's not on DVD here as far as I know. The Beeb has never aired it again because of all the controversy, but they did release it onto DVD over there I believe.) I knew it was fakery from the start but it didn't matter - it worked it way right up under my skin, and I had a harder time falling asleep last night after it than I've had from a horror movie in quite some time. If your room has a window, and curtains, then you might never sleep again!
Seriously though, afterwards I had to check and see how old the writer was, because Ghostwatch effortlessly taps itself into that feeling of being 12 years old and you and your friends telling each other ghost stories, trying to freak out each other, and I wouldn't have been surprised if they'd sourced it to a bunch of kids to one-up each other to see what stuck. (The writer, Stephen Volk, was in his mid-thirties when he wrote it, and he should be very proud.) It uses its miniscule budget wisely, keeping things juuuuust off-screen so the viewer's forced to lean forward, to look hard just when we most don't want to (oh my god that half-seen figure under the stairs!!!), and it edits it all together brilliantly, keeping things just the right amount of dry and boring until it needs to goose us but good.
Honestly I don't understand why Ghostwatch isn't more heralded, and why its central figure of terror - a little somebody by the name of Pipes - doesn't rank among the best known of oogy boogies. He's gonna haunt me for some time.