That picture of Tilda has nothing to do with what I am about to link to, save the Tilda, but I wanted to look at that picture so that's what we're looking at. I doubt any of you will complain. What I am linking to is my NYFF review of Apichatpong Weerasethakul's latest mind-bender called Memoria, which went up over the weekend at The Film Experience -- read that here. It's one of the best, most unique film experiences of the year, and I make my case for why it demands the theatrical experience, which has become a bit of a kerfuffle since they announced that is literally the only way the film will ever -- ever -- be seen.
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