Good Morning, Video Game

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This isn't our typical "Good Morning" post, no, but when I got the alert on my phone this morning that there was New Sufjan Music to listen to I knew I'd be spending my morning listening to New Sufjan Music and why should you also have that privilege? Not only is there New Sufjan Music but there's a New Sufjan Music Video! His second song called "Video Game" off of his forthcoming album The Ascension -- which you can buy here and which drops in full on September 25th -- has arrived and the video, starring Jalaiah Harmon, who I am told created a viral dance called "Renegade" but I am far too un-hip to have any idea what that means. But she seems super cool in the video, which is like one of my Trapper Keepers from Middle School come to life. Anyway I previously told you about the album, with the track listing and the first song called "America" at this post here. Now watch!

This song's a catchy one, it's already firmly planted in my head for the day after a few listens on my commute. Also tell me that gif up top from the video doesn't immediately make you think of this:

ETA oh I actually got a press release about the video! I like being on this list! They included some quotes about the video, the dance, and the album as a whole, and I'll share it with you after the jump...

Sufjan Stevens debuts “Video Game,” a new song from his forthcoming eighth studio album The Ascension, today. Listen here, and watch the video, choreographed by and starring Jalaiah Harmon—the teenage creator of the massively viral “Renegade” dance—and directed by Nicole Ginelli—here.

The Ascension, the long-awaited follow-up to Sufjan’s Carrie & Lowell, is set for release September 25 on Asthmatic Kitty Records. “America,” the album’s debut single, was released in July along with its B side, non-album track “My Rajneesh.” Pre-order the album here.

“It’s unfortunate that we live in a society where the value of people is quantified by likes, followers, listeners and views,” says Sufjan. “So many people are seeking attention for the wrong reasons. I think we should all be doing our best work without looking for accolades or seeking reward.
“The main takeaway of ‘Video Game’ for me is: your worth (invaluable) should never be based on other people’s approval (ephemeral).  Just be yourself.  Keep it real. Keep it moving. Do all things with absolute purity, love and joy. And always do your best.
“Jalaiah epitomizes all of this and I’m truly inspired by her. So I thought, ‘what if we could get Jalaiah to star in a “dance video” about not wanting to star in a “dance video?”’  I’m so honored she agreed. She clearly owns it, and her work here is beautiful, poignant and true.
“Her dance shows incredible energy, work-ethic and spirit. She is dancing for herself, not anyone else. Her choreography is sophisticated, nuanced, and fun. She is a star. She keeps it real. She keeps it moving. She keeps it true. What a blessing!”
“This was my first time being asked to create choreo for a whole song,” says Jalaiah. “So I was a little nervous in the beginning, but once I really broke the song into parts and listened to the lyrics over and over, I just put moves together that connected to the words and felt natural for me to do. I think I’m still really trying to get used to this kind of success, so I can’t really define it just yet. I just know that when you work hard and you treat others with kindness and fairness, good things come back to you.”
“I was inspired by how much Jalaiah loves to perform,” says Nicole. “She brings such a powerful and specific energy, it’s infectious. There are parallels between Sufjan's story and song and Jalaiah’s story and her choreography. I wanted to make something defiantly joyous, and to show what it looks like to reclaim agency, strength and moves in order to take control of one’s own projections and imagery.”

The Ascension is an indictment of a world crumbling around us—and a roadmap out of here. Sufjan says the foundations of the album are “a call for personal transformation and a refusal to play along with the systems around us.” 

“My objective for this album was simple: Interrogate the world around you. Question anything that doesn’t hold water. Exterminate all bullshit. Be part of the solution or get out of the way. Keep it real. Keep it true. Keep it simple. Keep it moving.” 

The result is a “lush, editorial pop album”—as Sufjan describes it—that finds us all at a “terrifying crossroad.”

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