Two Secret Lovers, Wagner & Me

Although Kleber Mendonça Filho's The Secret Agent was one of my favorite movies out of last year it's not the September 2026 Criterion release that got announced today that I am the most thrilled about, for one simple reason -- we already knew that Criterion was releasing this film on disc. That news had been spoiled months ago. But I don't think it takes a brain surgeon to figure out why I'm nevertheless beginning this post with that picture of The Secret Agent's leading man Wagner Moura. I think we all got it! I am a simple man. Anyway this will release be on 4K, it comes out on September 22nd, and this movie is probably pretty much an undistputed masterpiece -- if you haven't seen it yet do, and then just buy the damned disc. Or blind-buy it. I really doubt you'll be unhappy you did. It's one of those rich feasts of movie that we hardly ever get anymore. Moving on to more feasts...

... the September release that has not just knocked my socks off but shot them right across the room is the box-set of three Leos Carax movies! Fuck yeah and yes please! If we were just talking about his first film, Boy Meets Girl, which I only just saw for the first time a couple of years ago and fell deeply madly and completely in love with upon first sight, that'd be enough here. But it also includes his two Binoche!-starring follow-ups, Mauvais Sang and The Lovers on the Bridge -- amongst Juli's best roles, which is really saying something when you're talking about the world's greatest living actress says me. These two are magnificent showcases for her and for what magic Carax is possible of making. He's one of my number one movie-makers, and this set will give you a clue why. (I wish Criterion would go ahead and put Holy Motors in the Collection already but I'm sure it is inevitable.) 

And then we've got another two-fer of 2025 flicks coming in hot -- there's Richard Linklater's Nouvelle Vague, which as far as Richard Linklater movies go I kinda of liked? Out of the two movies he made last year it's a goddamned masterpiece at least, compared to the unbearably shrill Blue Moon which I couldn't fucking stand. I thought all of the actors were terrific as the French New Wave Gods they were tasked with playing in Nouvelle Vague at least, and Linklater's adoration of characters who won't shut the fuck up for five seconds at least made sense when dealing with a person like Jean-Luc Godard. The other 2026 title is Sergei Loznitsa's "Kafka-esque thriller" Two Prosecutors, which I really wanted to see (I will watch anything described as a "Kafka-esque thriller") but somehow slipped through the cracks. I will consider this release my chance to fill up said crack, then. Any fans? Is it indeed a "Kafka-esque thriller" or is this just Criterion suckering in Lit-major dopes like me who always fall for that descripotion? 

I'm gonna plow through the last three titles coming out in September a little quickly now because 1) I don't have a lot to say about any of these and 2) I should be working on my ongoing Tribeca reviews but I am allowing myself a brief break so the site doesn't sit here silent as the grave all day. Here goes. They are upgrading Sidney Lumet's classic 12 Angry Men to 4K; they are dropping the massive nine-hour-long Holocaust document Shoah (which means that I will definitely finally watch Shoah, one of the long overdue experiences I've admittedly been terrified of experiencing all these many many years); and they are releasing Satyajit Ray's beloved 1970 film Days and Nights in the Forest, which I have not yet seen either. Ray also represents a massive hole in my film knowledge -- I believe I've only ever seen Pather Panchali? So many damn holes and cracks to fill, damn damn damn.