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"Taking us back to the second world war (Captain America), or the cold war (X Men), constitutes a rejuvenatory return to a period when plots came in smaller, more maneagable sizes and a nuclear bomb going off actually mattered, if only for reasons of historical continuity. Each film must leave the world exactly as the history books found it — a worthwhile discipline and a useful way of stemming megalomaniacal plot swell.
Last but not least, you will not wish to slit your wrists after watching them. Recent years have found cinema-goers clamoring for an end to war-on-terror subtexts (The Dark Knight), debates on the efficacy of torture (Star Trek), and jingoistic celebrations of war in the middle East (Transformers) alike. The retro blockbuster instead signals a return to the innocent boosterism of the forties and fifties — the golden age of comics — when superheroes wore the American flag unironically, busted Nazi /Communist balls without having to worry about blowback, and stood astride the globe like the gentle giants of the American psyche they were. America gets its own origins story — a psychic reboot."
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